Modeling gear on the offer is largely: a noise gate, six compressors, 14 drive pedals, 39 MPS, 13 EQ units, six delays, and nine reverbs. Most of them have numerous powers. This is not as much as the same as a package Implatub For PC and Max, but these are still a lot of things.
To operate all this, the positive grid has developed the Computant Power of the Spark Series. The company told me that the original spark lineup has doubled digital signal processing power, which allows “tons, maximum impact and a smooth transfer between an extended memory for prostations and loops.” This system operates on a M7 chip “specially developed for expanded processing power and precise tone production,” and extra power allows the positive grid to run more complex models to run the device, which can improve their premises and Amplifier Sig Modeling
Despite the rise in DSP, the results here do not compare with the scary-mere tube AMP and impact impressions on which you can run on a computer or more expensive hardware modeling. Apart from artificial, the sound of something else could never be clean and “breakup of breakup” could never be tonnes, though some distortion sounds were good. Riverbus and the delay also looked solid.
But Spark 2 was not really designed for studio quality recording, and positive grid is clear about it. Models operating on Spark 2 are influenced by the company’s computer work, but they are “better for a mobile friendly game experience,” I was told. Spark 2 aims for “practice, jamming and basic recording”, and those who find “studio level control and complicated setup” should find something else.
This is the cause of the tracks with my experience. Compared to regular AMP, the spark is 2 crazy portable. When you test the unit, I will stop it between rooms without thinking, finding a place to play that will not bother any member of my family. (Headphone? Never!) Thanks to the optional battery, I didn’t even have to plug in it. It was an easy, fun way to practice some electric guitar without using a screen or computer, and its sound could fill the whole room. Compared to the weight and anxiety of moving the “real” amp, it felt easy.